Monday, 12 January 2015

Writing Excuses 10.1 & 10.2

Being a person who is aspiring to be an aspiring writer I regularly listen to the Writing Excuses podcast with Mary Robinnette Kowal, Brandon Sanderson, Howard Tayler, and Dan Wells. It's a great wee 'cast and I've picked up some great advice over the last couple of years. For the start of the new year, and the beginning of Season 10, they have modified the format of the 'cast and this year is going to be along the lines of a writer's workshop/master-class with writing prompts and exercises coming in each episode. I'm going to try and keep up with the 'cast and will post my exercises here. Unless what I write is frickin awful that is. :D

We're on week two now so here are my exercises from both weeks.

Episode 10.1

[audio http://www.writingexcuses.com/podpress_trac/web/4501/0/Writing_Excuses_10_1_Ideas.mp3 ]

 

Write down five different story ideas in 150 words or less from these five sources:

  1. From an interview or conversation you've had.

  2. From research you've done.

  3. From observation.

  4. From a piece of media.

  5. From a piece of music.


1. Three old people are sat on a train. They are on a long journey across the country, going on holiday at the same spot they have visited every summer for years. People get on and off the train, young and old, and the train ends up rather crowded. They normally reserve a seat for their departed friend/spouse. However the train pulls in at a lonely station and a single passenger boards their carriage. He's an old man, and as dishevelled as the station he boarded from. There are no other free seats and so after brief discussion they offer their spare seat to him. The train continues its journey the number of passengers thins; leaving the four of them alone in the carriage. He doesn't leave their table as he is in the middle of telling them his horrible story. His story involves human sacrifice, dark rituals, ancient rites and evil beings summoned. They of course don't believe him. He alights at the stop before theirs. As they depart the train the slate sky and the wan silhouette it casts of the standing stones stop the nearby hill take on an ominous cast as they recognise them from his horrible tale.

Source: Ok, so that's slightly more than 150 words but wevs. :) I got this idea from a conversation I had with Little Ms. X on the train to Glasgow one day. She was rather perturbed by the sight of a small group of old people being rather loud and raucous. She is only a teen remember and 'old people' are still very much an alien category to her at times. :)

2. A team of student archaeologists take part in a summer vacation project to survey the Abbey of Thelema, as used by Aleister Crowley and his disciples for occult practices on the isle of Sicily. As the project goes on and they carry out standard building surveys and map the painting on the walls they begin to have strange, phantasmagorial and psycho-sexual dreams involving rituals, orgies, and worlds behind worlds. What they find there threatens to tear the world apart.

Source: A few years ago I had the idea of carrying out an archaeological survey of the Abbey but there's no way I could have gotten funding for it. It also occurred to me at the time that the project sounded like the beginning of a really clichéd horror movie. :)

3. The motorways of Britain are mirrored in another world by huge rivers of surging, raging water. These rivers carry the dead of a million worlds, including our own, on towards the heart of the meta-universe where they are devoured by the all creator. A being, beast, machine, that is beyond the comprehension of any mortal creature. We are little more than a small part of a self sustaining eternal entity's means of sustaining its own existence. As individuals we are beyond insignificant. The protagonist is sensitive to these flows and as he looks deeper into what it is that he feels he discovers that we are all actually sensitive to the final path we take to being consumed, hence our works and buildings following the path of these extra-universal currents.

Source: On my way to and from work I have to cross a footbridge that spans the insanely busy M8 motorway. As the cars flow past below me it always seems as though there is something tugging me in the direction of the traffic flow. It's probably something to do with the motion I see out of the corner of my eye but it is certainly a spooky effect.

[caption id="" align="aligncenter" width="597"] That footbridge right there. (It's busier than this when I'm going to and from work)[/caption]

4.  In the Highlands of Scotland a blinding light turns night into day and causes the emergency services to scramble. When the police, fire brigade and ambulances arrive they find a small village has appeared and there are a group of just over 5,000 people there with no memory of how they got there and only dim recollections of who they are. The area is first quarantined and then they are ferried off to a variety of military bases in the Highlands. As the story develops it is discovered that they have disappeared at various points throughout human history, some may even be from the future, only to reappear now. They were abducted by a parallel sentient universe which is about to collide with ours, the impact potentially destroying both universes in a new big bang. The sentient universe has figured out a way to allow the universes to meld rather than impact. Only when all the returned are together and touching can the sentient universe communicate, in a way, with our universe.

Source: The 4400, a pants American genre TV Series that could have been really good. That smooshed up with a heap of vaguely understood, misunderstood and totally misapplied brane theory.

https://www.youtube.com/watch?v=8Wey_sso-fk

5.  A woman is walking through an inner-city area in the middle of a torrential thunderstorm. She ritualistically touches items about her person, clothes, jewellery, and so on, each of which tells a story about how she came to be where she is, like stations of the cross on her body. Each story is connected to the object and tells a different tale, some supernatural –some not, of joys and sorrows, missed opportunities and moments where she has excelled herself. She slowly sheds these items til she is naked. People in the street avert their eyes and move reverently out of her way as she has the air of the sublime about her which makes her terrible and awesome to behold. At her journey's end her scars are all bared and she meets her apotheosis in a bare room in an abandoned tenement building.

Source:

https://www.youtube.com/watch?v=hbAeTywPiP4

 

Episode 10.2

[audio http://www.writingexcuses.com/podpress_trac/web/4514/0/Writing_Excuses_10_2_I_Have_an_Idea.mp3 ]

 

Using last week's five story ideas:

  • Take two of them and combine them into one story.

  • Take one and change the genre underneath it.

  • Take one and change the ages and genders of everybody you had in mind for it.

  • Take the last one and have the character make the opposite choice.


Take two of them and combine the into one story.

I'll do this with numbers two and four.

As the student archaeologists carry out their survey they get the detestable dreams as in the original however as the dreams grow in intensity they realise that they are all sharing the same dream and that the figures they see in the dream are trying to communicate with them. The figures are the disappeared and they are seeking a way back into our universe. The students discover a pattern in the paintings on the walls of the temple that depict a ritual, a configuration, that may allow this to occur. They carry out the ritual and at the climax the personalities of all 5000+ of the disappeared are plunged into the students minds. They become part of this gigantic collective consciousness that is able to communicate with the sentient universe and so they become part of the plan to merge the two universes in order to save both from destruction. They have scant years to prepare the population of the Earth for the coming change. They come to realise that this is also occurring on every planet with sapient life in the universe and slowly they begin to share consciousness with the beings on these other planets. A foreshadowing of the merged universe that is to come.

Take one and change the genre underneath it.

I'll do this with number five and that is the one that I feel doesn't have the most clearly defined genre so rather than changing the genre I'm going to try and change it into a genre story, a fantasy story.

The basic premise is the same. A woman walking a ritual path towards apotheosis, using item about her body as talismans to allow her to relive events from her past. In this story though she is walking along a marble black and white chequered path that cuts across a desolate moorland. Above her the stars wheel through the night sky as time accelerates and the world nears its end. She has been a warrior in her life and now she has to walk this path on a final battle with her past deeds in order to stop the cataclysmic events that are unfolding all across her world. There is a magical apocalypse occurring and reality is being undone. She is blessed and cursed in that she has become immune to the effects of magic, ironically through a magical battle many years in her past, and so is one of only a handful of people who can walk this path between the realms of the magic and the mundane. Her talismans and the ritual of remembering her past, which has involved a plenitude of both the magic and mundane, allows her to keep the balance needed to stay on the path.

Take one and change the ages and genders of everybody you had in mind for it.

I'll do this with number one though swapping the genders makes little difference though.

Three young people, not long out of school so late teens-early 20s, are on the train to a remote location in Northern England. The boy/girlfriend of one of them has recently died after a sudden illness and so the remaining couple are taking their friend away to get away from their home town and all the things that remind him/her of their loss. They take up a table and put a carrier bag of beer on the spare seat to stop anyone else sitting down. The train rapidly fills up. The train pulls up at a small run down station in the middle of nowhere and a young woman carrying a small baby boards. There are no seats left so they move their bag of beer to let her sit down.

She introduces herself and refers to the baby as 'Kid'. She has a strange air about her. She looks completely normal, wearing sports clothes and is about the same age as the three however there is something off putting about her. She takes a beer from the bag and starts telling them the story of her family and the father of her baby and how she's taking her baby back to it's father, she points out of the window to a mountain in the distance saying that he lives in the highest house on the mountain and that he's going to devour both her and the baby. She seems pleased by this.

She gets off at a station at the foot of the mountain leaving the three talking about how her story was obviously nonsense and she is probably a 'care in the community' case.  Before they reach the next stop however they decide to get off and take the next train back the way they came to see if they can find her just in case either she is going to do some harm to herself or the baby or, though none of them say it, in case her rambling story was true.

Hi-jinks, no doubt, ensue.

Take the last one and have the character make the opposite choice

So, this is number three. I know number three would probably have gelled quite well with number four but that would be too easy.

The protagonist is aware of this strange energy that is connected to the motorways but chooses to ignore it, tries to put it out of mind. The feelings grow stronger though and as the feeling grows he finds it occupies his dreams and all his waking thoughts. Eventually he takes to drink to try to numb the feeling and begins to drink himself into oblivion every night. He then begins blacking out and starts waking up on the side of the motorway. A couple of times he wakes up in police cells after having been picked up walking down the hard shoulder of the motorway. The feeling grows until he can see, when he looks at major roads and motorways, these rivers of corpses flowing eternally onwards in a great wave of death and decay. One day he can't take it any more and walks into the river.

Thursday, 8 January 2015

Free Speech? What's That?

There is no such thing as free speech.

After the horrible slaughter in Paris yesterday there are many people crying out that this is an attack on free speech and that we must support Charlie Hebdo in the aftermath of this assault. There has even been the hashtag #JeSuisCharlie, I am Charlie, trending on Twitter. There has also been #KillAllMuslims but fuck those people, seriously, fuck those racist jerks right in the ear.

People have been commenting all day today about the importance of freedom of speech and how it is one of the highest values of western civilisation. I have some major issues with this –and not just that the notion of there being a 'western civilisation' is ridiculous.* No, it is the notion that despite the fact that all actions have a cost the act of speech is somehow free of cost. So, there. There is no such thing as free speech.

I know that this is a highly unpopular notion given the reverence with which liberals, and some on the left, treat free speech but I just don't see how it is anything other than a pipe dream, and a dangerous and defacto pro-fascist one at that.

I suppose I should explain myself somewhat as I can hear the gasp of horror as both my readers clutch their hands to their chests and faint with shock.

OK.

This may meander slightly.

In the UK we have a number of far right fascist groups that have got varying degrees of visibility, activity, and popularity. Chief amongst these are the British National Party, the National Front and Combat 18/Blood and Honour. All of these groups were formed to use violence as a way of imposing their political ideology and starting a race war in the United Kingdom. A large part of their tactics was to dominate the streets through marches and beating those of opposing political ideologies who attempted to put their argument across on the high street -through selling papers and handing out leaflets, you know the kind of thing, and through spreading terror amongst non-white populations.

They were prevented from doing this in the UK as militant trade unionists, communists, and anarchists met them with force on the streets and basically beat them back under the rock from which they crawled. There's a really good documentary on this that you can watch here(LINK).As a result of this the BNP decided to change their tactics and attempted to become a regular political party.

Now that probably sounds ideal to your average liberal type, you know the sort -wears cardigans, eats cheese, listens to Radio 4, as now the frightful beasts would have their awful ideology exposed to the light of open debate and it would be shown to be nothing but vile fear and hatred. Rational debate would soon put an end to such dreadful things as racism and people being all loud and uncouth on match days.

Yeah, well, we don't live in this liberal la la land and unfortunately our society if riven with racism and bigotry. Admittedly most of this isn't the hateful racism of groups like the BNP or new kids on the block Britain First; it's more your casual common or garden racism that thinks “[Racial Group X] are just different, got nuffink personal against 'em like. Know what I'm saying?” No, and these people, your Combat 18 and National Front sociopaths, didn't go away and nor did their ideas. They may not have been able to organise openly until recently but they are still there and amongst these people there is a sliding scale of fuckwittery.

Now, about five years ago the British National Party were trying to canvas in Glasgow for the upcoming European Elections and at every turn people in Glasgow would jeer at them and hound them off the streets. Sometimes slightly more physically than others. Either way it was made clear that they weren't wanted. When I was talking about this on Facebook some of my more liberal friends were claiming that people doing this were curtailing their freedom of speech and so were in the wrong, or, as some fine people put it, “You're just as bad as the fascists for doing this.” Which, to me, is just plain offensive. Just, I'm sure, as it would have been offensive to people like the 43 Group who were Jewish veterans of the British Army who took the fight to the British Union of Fascists on their return from WWII.

You see, what the 43 Group understood, as did those who beat the National Front, BNP and co. off the streets of the UK throughout the 1970s, 80s and 90s, is that if you allow fascists to openly spread their hatred and bigotry people die. It doesn't go directly from a group like the BNP having a stall unopposed on the local high street to their being Jews rounded up into ghettos –human society is far more complex than a simple action film narrative allows for.

What allowing fascist groups to practice their 'free speech' does is it gives confidence to others on the far right, it allows them to feel that their views are acceptable and widely held. This gives them the confidence to act upon their convictions. This then leads to people getting beaten, to homes being burned out, to people being murdered. Speech is not free, sometimes the price of it can be people's lives.

From this it may be presumed that I would therefore support calls for the government to legislate against certain groups –to curtail their freedom of speech in order to protect lives. This is something I am opposed to completely. The interests of the state and the people who live beneath it are rarely aligned, something that should be patently obvious if we look at the raft of austerity measures presently plunging huge swathes of the population into desperate poverty and driving others to suicide. No, I do not feel that real politics happens at the level of government or the state. Real politics happens in our communities and our workplaces. That is the arena where fascists must be denied their 'free speech' and where work to prevent their fear and hatred must take place. Unfortunately the community and the workplace as a place of politics has been arena seemingly abandoned by most for a long time now with lefty groups preferring to organise on university campuses (student loans filling party coffers through subs and freshers fairs) or to arrange rally after rally about things happening halfway around the globe(whilst rattling collection buckets all the way).

So I won't be changing my Twitter profile pic to a picture of Mohammed in the name of free speech. Not because I have any problem with annoying Muslims or poking fun at Islam –it's a religion and all religions are equally bloody absurd, but because it would be a pointless gesture aimed squarely at annoying people who had fuck all to do with this violence and who are, in all likelihood, utterly repulsed by it. Why on Earth would I want to do that? I'm a, reasonably, nice person! Nor will I be claiming to stand in solidarity with Charlie Hebdo. It's a shit rag that punts racism, sexism, and homophobia as edgy humour. Nor will I bleat about attacks on free speech as there is no such thing as free speech, something the fuckwits with the machine guns patently understand.

Anyway, I feel sorry for those people who have suffered and who have lost loved ones because of these bastards. I feel anger at the bastards who are using this as an excuse to attack mosques and to further the fascist agenda. And I feel exasperation at those bleating over free speech as they are maintaining the delusion that there is such a thing and that we live in a liberal fairy tale rather than a complex, dirty and confusing cluster fuck of a world.

Also. Why the fuck is my first post of 2015 about something like this? Sod this, I'm off for a fag.

*I'm of the opinion that civilisation is a process of developing social and cultural complexity.

Wednesday, 31 December 2014

Twenty Fourteen to Twenty Fifteen

This year has been a good year. A hard year, but a good year.

I handed in my dissertation, on the application of situationist psychogeographical techniques to studying archaeological landscapes, and sat my final exams in April/May. That was a proper slog. As C hadn't been able to find a proper job (seriously, someone around Glasgow must want to hire Cambridge graduates. I mean, WTF?) and so I had to work 25-35 hours a week as well as studying full time and working on my dissertation. It's a wonder that there's not more grey in my mane right now! :)

So I'm now an archaeologist. Which is to say that I'm, for the most part, underemployed and not working in archaeology... I probably could find a job in archaeology but most beginning jobs are for people to work on excavations and I have a terrible loathing for excavation and, to boot, I'm not very good at it. I've also got crap knees so crawling around in the muck all day scraping away layer after layer of mud isn't really that appealing a prospect. If anyone happens to want to hire an archaeologically trained office monkey though -I'm your man. :D

This year was also the year that I finally, thanks to finishing uni, found the time to both read a whole heap of the fiction that I've been building up over the course of my studies and to start actually writing some.

I've completed one full length story, The Sable Masque, which is currently sat in the slush pile at one of my favourite short fiction magazines awaiting rejection. It's a short tale of a man who wakes up one morning to find that the world around him has changed dramatically, and horrifyingly, yet only he seems aware of the change. It's also quite heavily metaphorical for the alienation of the worker under capitalism and all that jazz. Well, it seems heavily metaphorical to me.

I also won second prize in a wee flash fiction competition for a piece called The Dolly Doll which was nice.

I've currently got a whole host of works in progress.

I have nearly finished a King in Yellow inspired story called Scheme, which was formerly known as Schemes of Grey and Yellow, which I posted an excerpt from earlier this month. I'm also making slow but steady progress on my novella Dolorosa which I'm hoping to have finished, well -ready for redrafting, by spring.

I'm working on a small collection of King in Yellow related stories that I'm hoping to release as an ebook this summer to celebrate the anniversary of both the birth of Robert W Chambers and the publication of his King in Yellow collection. Currently there are three works in progress including Scheme. One follows a young unemployed man and his encounter with a secret institution in Glasgow that uses Lethal Chambers to allow the poor and unemployed to voluntarily cull their own ranks. The other is a letter from a prisoner awaiting trial in Barlinnie Prison following his accusation of having committed a string of murders for which he blames a certain 19th Century document...

Added to the Yellow stories are Sally's System -a story about family tradition, holidays, and murder most foul; To the Mountain -a kickstartered expedition to an anomaly on Google Earth turns rather more interesting than the participants imagined; and Our Clouded Hills -a novelette set in near future Britain.

I've also become slightly more active with regards the Lovecraft Ezine public message board and even managed to catch a live show a few weeks ago. Which is a first due to my work patterns and time zones. The Sunday show doesn't air until 11p.m. on this side of the pond and given as I work Sunday and then generally have to be up at 6a.m. the following morning I don't really get the chance to watch live. Hopefully I'll get more chances in future. I also really want to help out with the Ezine now that I have some free time as I think it's a really important project. To my mind the Ezine is replacing the gap left by the clusterfuck that Weird Tales has become since the change in management.

On the home front Little Ms. X continues to impress me as she continues to grow into a fabulous young woman working out the world around her. She's so much more clued up than I was at her age, she's amazing and makes me so happy and proud in equal measure. Even when she's in full blown angry teenager mode. I can't wait to see what happens next even though it is also terrifying given the bullshit and nonsense that comes with being a teenager. I also have the growing urge to kill every teenage boy within a 20 mile radius of the village. Just to be on the safe side, you know?

As we move into 2015 I'm not going to make any new years resolutions as I always seem to break them almost immediately. There are some goals that I am going to set myself however which I may be able to achieve.

Firstly I'm going to knock smoking on the head. Again. C and I are both going to switch across to those e-fag things as a stepping stone to getting off the evil weed. I'm also going to try and put out a piece of free fiction every month with the first pieces, probably, being Sally's System and Our Clouded Hills which will be, again hopefully, going out in January and February,

Also, hopefully, there will be a less dead end job for me to find early in the new year. Fingers crossed eh?

Lists!

Everyone loves a good old end of year list so here are a couple of mine.

Books I've read (Not counting books for uni, obv.)


Never Again: A collection of weird fiction against fascism and racism containing a brilliant variety of the Weird.

A Season in Carcosa: Edited by the King in Yellow himself, Joseph S Pulver Sr. this is a fantastic anthology of tales inspired by Chambers' King in Yellow series. Very highly recommended.

The Weird: I actually bought this a couple of years ago but it is a massive tome and I've been slowly dipping in and out of it for a long time now. This is probably the defining volume when it comes to Weird fiction.

Cthulhu 2000: I bought this specifically so I could read Black Man with a Horn by T.E.D. Klein which I reviewed a few months ago.

The Red Tree: An utterly fantastic novel from Caitlin Kiernan. If you haven't already read this you should. Now. It's probably one of the best works of Cosmic Horror that has been produced in the last couple of decades. Absolutely brilliant.

The Spectral Link: The long awaited, and stunningly presented, new tales from the dark master Thomas Ligotti. I reviewd it when it came out, you can read that here.

The Wide Carnivorous Sky and Other Monstrous Geographies: John Langan's collection of long shorts. Another wonderful collection from a master of the weird.

Celebrant: This novel by Michael Cisco is a confusing one. I don't know whether to read it extremely closely or to just let the sumptuous text wash over in. Cisco manages to maintain a highly strange and surreal prose style throughout this novel that makes this one of the most gorgeous things I've ever read.

The New Uncanny: An interesting anthology looking at Freud's notion of the uncanny. This is well worth picking up if you get the chance.

Cthulhu Cymraeg: It's true that the Welsh language may look and sound something like Aklo but this volume is in English so that even I could read it. The few stories in this slim volume cross the spectrum of the weird including some bizarro works and more traditional, and chilling, cosmic horror.

The Dark Domain: Stefan Grabinski is a singular Polish voice. Writing at the beginning of the 20th Century his work belies an unease with the increasing speed of industrialisation and mechanisation of the world around him.

American Supernatural Tales: A brilliant collection put together by S.T. Joshi in a series curated by Guillermo Del Toro. This book features fiction that spans nearly two centuries and features some of America's finest writers of horror fiction from Washington Irvine through H.P. Lovecraft, Stephen King and on to Thomas Ligotti and Caitlin Kiernan.

The Thomas Ligotti Reader: A collection of essays looking at Ligotti, his work, and his influences. For the true cosmic horror nerd.

HP Lovecraft The Complete Fiction: A beautiful collection of HPL's stories put out by Barnes and Noble of all people.

Films I've enjoyed


Banshee Chapter

https://www.youtube.com/watch?v=lhrYDiaSo_s

Oculus

https://www.youtube.com/watch?v=dYJrxezWLUk

Absentia

https://www.youtube.com/watch?v=aa1UJLqYeBU

Pride

https://www.youtube.com/watch?v=kZfFvsKDuUU

Dead Snow 2

https://www.youtube.com/watch?v=glIoXwTcG60

Shows I've enjoyed


True Detective: Yeah, there was the whole shenanigans with the plagiarism of Thomas Ligotti but it was still a fantastic show. I just wish the creator was a bit more honest about his influences.

Gotham: A bit of a silly show but that emerged into a nice mob vs. the police show with some nice tips towards the Batman universe that even a non-Batfan like me can appreciate.

Constantine: A bit of a let down to be honest but I'm still hoping that it will develop into something more fitting of the name. The Welsh dude that plays Constantine is brilliant in the role so hopefully it will move away from the monster of the week pish that has defined the fist episodes.

Supernatural: Because if I want a monster of the week show I go to the Winchester boys. :)

American Horror Story: I didn't really think that much of Freak Show but Little Ms. X loves it and I pissed myself laughing when she pointed out that "Murder House had ghosts, Asylum had aliens and a serial killers, Coven had witches. Freak Show has an entitled rich white boy because there's nothing more terrifying." :D

The Walking Dead: Probably the most tense show on TV. Every time someone does something dangerous, like walking down the road or having a poo, I'm convinced they're going to die a bloody death at just that moment. Proper edge of your seat horror.

Agents of S.H.I.E.L.D.: Despite starting slow this has just grown better and better as it has gone on and I'm chomping at the bit for the next season.

The Wire: Yeah, I know. But C only just managed to get me to watch it this summer and wow! It's one of the best bits of television ever produced.

Music I've listened to


Radical Dance Faction

https://www.youtube.com/watch?v=EUsx4iEe8HU

Joan Osborne

https://www.youtube.com/watch?v=hbAeTywPiP4

Faith No More

https://www.youtube.com/watch?v=QJR2Ab-DIkA

The Baghdaddies

https://www.youtube.com/watch?v=68W-QFg5czs

Tansads

https://www.youtube.com/watch?v=ZotfSiLInx8

Ned's Atomic Dustbin

https://www.youtube.com/watch?v=GFxVMfBfQDY

Leatherface

https://www.youtube.com/watch?v=HYQBUyL0ips

[spunge]

https://www.youtube.com/watch?v=pbH50Bv31l8

Leftover Crack

https://www.youtube.com/watch?v=unxrRffd9iY

Star Fucking Hipsters

https://www.youtube.com/watch?v=iAqRHaQxStU

 

I hope everyone has had a great year and I hope that we have a better one over the coming 12 months.

Friday, 26 December 2014

What a Day

Wow, yesterday was rather good for me and mine and I truly hope it was good for you too.
C and I got to spoil Little Ms. X, and one another, absolutely rotten. It was also really nice to see that the most excitedly expectant look on Ms. X's face wasn't when she was opening her own presents but when C was opening the Tremors collection we had gotten her. She's a good kid so she is.
I'm presently laying bed nursing something of a hangover after having rather over indulged in one of my more liquid presents..

image



I do like a wee tipple of Laphroig so I do.
I've been laying here in bed for the last half an hour or so wanting to crack into one, or some, of my other gifts from C and X but you know what? I can't decide which to delve into first! I have options paralysis! Oh the humanity!

image



As an added bonus this also turned up in the post on Xmas Eve.

image



So I have a rather wonderful amount of reading to do over the next few months if only can decide where to begin. :D

Friday, 19 December 2014

Sick of JK Rowling's Shit

In which I faithfully transcribe a conversation between my partner, C, and our daughter, the splendiferous Ms. X.

Ms. X: I'm sick of JK Rowling's shit.

C: Why, what's she done?

Ms. X: She's basically said that there are lots of LGBT students at Hogwarts, she just didn't bother to, you know, mention anything about it. You can't do that! I mean, what even is she saying? That there are queer kids at Hogwarts, but they're polite enough to never mention it, or show it? What? I'm sick of her. I'm gonna email her and tell her that it only counts as having queer kids in your books if you actually bother to, you know, WRITE queer kids in your books.

It's moments like this that make me exceptionally happy and proud. :)

Thursday, 18 December 2014

Black Clouds over your European Indie Publishers: VATMOSS is a MESS

My good friend Paolo explains the utter mess that is the EU's new VAT rules and how they are going to affect indie artists.

Wednesday, 17 December 2014

The Fall

I have recently been watching the second season of The Fall, a BBC drama that pits an English police detective against an Irish serial rapist and murderer. It's fantastic, if extremely disturbing, viewing although it did take me a little while to get used to Gillian Anderson's English accent as I'm so used to seeing her as Agent Scully in the X-Files.

I was thinking about the show recently and trying to pin down exactly what it is about the show that I like. At first I thought that it was because it was a very woman dominated show with most of the main characters being women. This is something that is rather notable as the vast majority of police shows are very male centric, especially shows where the villain is a man who preys on women. It does grate somewhat when shows are dominated by men protecting women so it is nice to see a woman hunting the predator.

[caption id="" align="aligncenter" width="500"] Anderson as DSI Stella Gibson/Feminism[/caption]

 

Which brings me to what it is about the show that I find so compelling. The whole show seems to me to a metaphor for the conflict between feminism (albeit, of the liberal rather than left wing kind) and misogyny, more so than any other show or film that I can think of. Jamie Dornan is fantastic as Paul Spector - the embodiment of the rage, manipulativeness, victim blaming, violence of misogyny and patriarchy. I can't think of any character I've seen recently that has stirred such repulsion in me which is a credit to Dornan's abilities as an actor. It is extremely easy for a villain, especially one as vile as Paul Spector, to be portrayed in an almost cartoonish fashion (Joffrey in A Game of Thrones is a good example of this) and so becoming less believable.

[caption id="" align="aligncenter" width="422"] Dornan as Spector/Misogyny[/caption]

 

I really can't recommend the show highly enough. The first season is on Netflix and season 2 is airing now in the UK, you can watch it on the iPlayer if you're not in the UK if you install Hola Unblocker some other IP masking browser extension.

It's quite sad how much I love a good cop drama. Especially when I have such a deep criticism of the social role of the police. :D Hopefully this will tide me over until I can find another bleak and harrowing Scandinavian drama.